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Hi to all our members ... We  would just like to draw your attention to the latest post on the following link... Thank you for your attention .If you have already responded to my note  on Chatbox  about this please ignore this sticky note ... Thanks  folks ....

http://www.tipf.co.uk/forums/topic/46369-important~-the-forum-its-future-and-finances/

Clicker and Ryewolf   ADMIN TEAM 

Regretfully we have to once again ask members for  some financial support in order to  keep TIPF  running till December 2023. The more pledges we have to become  FRIEND OF THE FORUM  the less the individual cost will be so  if you want this Forum to continue  please follow the link below  and decide  if you are able to  support us . Thank you all for your support in the past ... it has been appreciated  a great deal ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-important-notice/

 Clicker and Ryewolf  ...  Admin Team 

Hi TIPFers 

I AM HERE AGAIN WITH THE  BEGGING BOWL TO ENSURE THE FORUM CAN KEEP GOING ... Please follow  below if you want to  support the continuation  of this Forum and  this  small but friendly community. 

As always your support is  both vital and appreciated ...

 Clicker and Ryewolf ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-4th-july-2023/

 

Rex


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A superb bit of photography.......enhanced by very skilled post processing.........post processing is something that I too am a great fan of.

I use a personal take on a technique called.....Contrast Grading.......taught to me via an excellent tutorial DVD via a mono forum.....I have adapted it for colour shots also.

Your technique here, looks very similar.....a use of soft brushes used on targeted certain areas to emphasise colour, tone and satration......with a final boost from targeted sharpening using the same brushes and layers technique.....Yes?

I would be interested to know if you flatten your layers between each step?........I do, to save disk Space as I progress.

Seeing this brilliant bit of work, has motivated me even further.....thank you!

For any of you who don't post process your original RAW files, it isn't as difficult as you might think, you may remember that PHIL helped me to put together a tutorial with screenshots, perhaps a year ago?

You don't need expensive processing software either, there are quit a few freebies available or older versions of Photoshop and Corel PhotoPaint Pro.......I promise, that once you have the workflow learned then internalised, its like falling off a log.....honestly.

If this old fogey can do it so can you......it makes so much difference to your work ...it isn't cheating, just a way of developing what is already there.

A brilliant example .....thanks for posting it.

FUJI

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Dog pics usually leave me running for the exit, but this really is a superb piece of work.

 

Beautifully processed and a real winner!

 

Korky

 

I forgot to add that if Rex were sat beside me right now, I'd give him a piece of my toast. Only a small piece, mind!

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Thank you for your comments :)

Someone once mentioned that I should remove the tag as it was distracting which was a good point but I decided to add a name to it instead.

The main thing to getting this look is the lighting as you need to create highlights. Next time I will be using more lights to get a better look.

The next main step is in post using D&B, I use the brush and paint on a 50% grey layer technique. You have to build it up gradually and it helps if you have any understanding of creating shapes with different shades and so on.

To get the painterly look I use high pass and reduce noise filter.

I have the layers with this one somewhere. I'll make a screen grab of them and post it when I find them.

I don't flatten layers in my work flow but I do stamp them as I am able to correct the stamp if I make an error.

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Thank you for your comments :)

Someone once mentioned that I should remove the tag as it was distracting which was a good point but I decided to add a name to it instead.

The main thing to getting this look is the lighting as you need to create highlights. Next time I will be using more lights to get a better look.

The next main step is in post using D&B, I use the brush and paint on a 50% grey layer technique. You have to build it up gradually and it helps if you have any understanding of creating shapes with different shades and so on.

To get the painterly look I use high pass and reduce noise filter.

I have the layers with this one somewhere. I'll make a screen grab of them and post it when I find them.

I don't flatten layers in my work flow but I do stamp them as I am able to correct the stamp if I make an error.

 

 

Creative perfection...........Your ref to D&B loses me...as does Stamping Layers.........I need a Tuition..................INPUT! INPUT!........I need INPUT!....As a knowledege hungry robot kept repeating in a film:

 

FUJI

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Creative perfection...........Your ref to D&B loses me...as does Stamping Layers.........I need a Tuition..................INPUT! INPUT!........I need INPUT!....As a knowledege hungry robot kept repeating in a film:

 

FUJI

Dodge & Burn Fuji, took me a while :)

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Thanks Heather and Tina.

 

Stamping is merging all your visible layers to one pixel layer at the top.  The short cut for it is (mac) command,shift, option, E.  (PC) command,shift, alt, E.  Its useful for say, when you have finished your image and you need a pixel layer to sharpen and if you decide you need to adjust one of your previous layers, then all you have to do is just delete the stamp layer and adjust the layer you want and then re stamp the layers.

 

I can have up to 4 stamped layers with some of my bigger edits but thats when i am adding filter work.

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This picture is a wow, Creative, in the processing, the perfect subject and the fantastic end result.

 

Errrr, when can you come out to Oz, take pictures of our 3 GSD's and do the same for them :D

 

 

I bet he would too Kobione.......................................if you flew him out all expenses paid.........of course ;-)

 

FUJI

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Thanks Heather and Tina.

 

Stamping is merging all your visible layers to one pixel layer at the top.  The short cut for it is (mac) command,shift, option, E.  (PC) command,shift, alt, E.  Its useful for say, when you have finished your image and you need a pixel layer to sharpen and if you decide you need to adjust one of your previous layers, then all you have to do is just delete the stamp layer and adjust the layer you want and then re stamp the layers.

 

I can have up to 4 stamped layers with some of my bigger edits but thats when i am adding filter work.

 

I'm not sure I understand this? I tried it on a .psd file and under History it showed my image with two levels : one "Open", the other "Stamp visible". If I click Open, one of the layers disappears, then if I click Stamp Visible, the layer reappears. Can you explain?

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