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Hi to all our members ... We  would just like to draw your attention to the latest post on the following link... Thank you for your attention .If you have already responded to my note  on Chatbox  about this please ignore this sticky note ... Thanks  folks ....

http://www.tipf.co.uk/forums/topic/46369-important~-the-forum-its-future-and-finances/

Clicker and Ryewolf   ADMIN TEAM 

Regretfully we have to once again ask members for  some financial support in order to  keep TIPF  running till December 2023. The more pledges we have to become  FRIEND OF THE FORUM  the less the individual cost will be so  if you want this Forum to continue  please follow the link below  and decide  if you are able to  support us . Thank you all for your support in the past ... it has been appreciated  a great deal ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-important-notice/

 Clicker and Ryewolf  ...  Admin Team 

Hi TIPFers 

I AM HERE AGAIN WITH THE  BEGGING BOWL TO ENSURE THE FORUM CAN KEEP GOING ... Please follow  below if you want to  support the continuation  of this Forum and  this  small but friendly community. 

As always your support is  both vital and appreciated ...

 Clicker and Ryewolf ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-4th-july-2023/

 

Fogey

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Posts posted by Fogey

  1. Straight out of camera.

     

    Before.JPG

     

    After

     

    After.jpg

     

    I use Affinity Photo for editing and this is a normal work flow.

    I took the image into the development persona and lowered the black point to reduce the misty feel to the photograph.

    Once I developed the image and was returned to the editing side of the package, I added an 'HSL' adjustment layer, (hue, saturation, lightness).

    Each individual colour saturation was either increased/decreased to give warmth and colour contrast to the image to a point of total oversaturation.

    The layer was then inverted, returning the image to it's original colour.  Then using the paintbrush at various opacities, I painted  the the saturated colours back in to the image to bring out a greater autumnal feel to the  scene.  I also tried to create a 3-D effect by laying a more intense colour over a washed out colour.

    Hope this helps.

     

  2. 32 minutes ago, MattGrey said:

    I recently bought a variable 3 to 11 stop filter.  Have been pleasantly surprised.  Makes it so easy to compose a shot and mount the filter. I can set the ISO and aperture then slowly turn the thread until I get the shutter speed I want.  Very little faffing and only one filter to carry. 🙂

    Have you got a link for that or a photo?

  3. I have now gone into the configuration files of all the programmes that has any thing remotely to do with photo editing and disabled the auto-update. 

    Now it's just a case of trawling the back-up archives to locate some very sensitive files that became inaccessible with this corrupted drive.  Once I got the corruption sorted out, it was a case of reinstalling the data files.

    I have located the main image directory with some 10,000 image files from a back-up and I now need a large external drive on which to store it.

    The real problem is every program is configured to keep re-installing the auto update, so wherever possible I have configured Microsoft to run these programmes as a third party - then I only have to worry about one update - and that will be on my say so.

    • Like 1
  4. ..........and Hewlett Packard.............and Microsoft............A bigger bunch of finger poking twats I have ever come across.

    Hewlett packard decided to update the drivers for the printer I'm using, and without telling anybody their bloody software did  it automatically and completely naffed up the printer.

    While I was trying to reinstall the drivers that came with the disk, this bloody software was trying to update the firmware to accommodate the printer drivers that weren't working.  Meanwhile, Microsoft, in their infinite wisdom, decided to  update their software resulting in my computer having a catastrophic crash, where half the drives I used to store photos and important data, suddenly became corrupted.
    I had to spend an age reconfiguring the network, the router, the DVD drive, the printer and recovering the files that had all the details of my online banking.  The end result is that I had to format one drive, losing an awful lot of photos as they simply couldn't be recovered.
    Fortunately for me, I had backed up the most important ones online, so all was not lost.

    Interfering, finger poking bastards! 

    Rant over.

  5. Yes Clicker, you are absolutely right.
    The artisans of the day referred to Fibonacci's sequence as the Divine Proportions because this ratio was found so often in nature.  
    Again the artisans of the day used this sequence during the Renaissance and even now, in today's architecture.  Look also in the classical musical compositions and you'll find the most pleasing to the ear will be following the same ratio.

    I did find a fractal based on Fibonacci's ratio and that was interesting as it produced the same spirals and patterns found in the galaxies, as exposed by the Hubble telescope.

    It's my view, for what it's worth, that Fibonacci's ratio is so profound it can be regarded as a building block on which the Earth is founded.

    https://www.bing.com/videos/search?q=videos+of+fractal+based+on+fibonacci's+ratio&docid=608026765111526605&mid=308DFEBEEC8EE7DCD49E308DFEBEEC8EE7DCD49E&view=detail&FORM=VIRE

  6. Let me say from the outset - this is not a fishing exercise.

    I recently had a one to one session with a professional wildlife photographer, as I felt that as an amateur photographer I would benefit from the professional touch, at a cost of £150.

    This gentleman had a full frame camera and advocated using aperture priority and controlling the shutter speed by increasing the ISO, so high in fact he achieved a shutter speed of 1/3200th sec.

    Now I have a 1.5 crop sensor camera, which means that if I followed what this gentleman said, then I would return an image so grainy as to be unusable.  He couldn't advance on my knowledge of the exposure triangle, although he did give me some valuable pointers of the better settings on the camera.

    All in all, I would estimate the value of what I learned to be in the region of £50 - £75.  You live and learn.

    One thing I did realise is that I have moved on from being an amateur to a seasoned amateur.  The moral of the story is don't do yourself down.  I certainly did and it cost me to find out differently. 

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