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Hi to all our members ... We  would just like to draw your attention to the latest post on the following link... Thank you for your attention .If you have already responded to my note  on Chatbox  about this please ignore this sticky note ... Thanks  folks ....

http://www.tipf.co.uk/forums/topic/46369-important~-the-forum-its-future-and-finances/

Clicker and Ryewolf   ADMIN TEAM 

Regretfully we have to once again ask members for  some financial support in order to  keep TIPF  running till December 2023. The more pledges we have to become  FRIEND OF THE FORUM  the less the individual cost will be so  if you want this Forum to continue  please follow the link below  and decide  if you are able to  support us . Thank you all for your support in the past ... it has been appreciated  a great deal ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-important-notice/

 Clicker and Ryewolf  ...  Admin Team 

Hi TIPFers 

I AM HERE AGAIN WITH THE  BEGGING BOWL TO ENSURE THE FORUM CAN KEEP GOING ... Please follow  below if you want to  support the continuation  of this Forum and  this  small but friendly community. 

As always your support is  both vital and appreciated ...

 Clicker and Ryewolf ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-4th-july-2023/

 

Why Postprocess?


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BRILLIANT! BRILLIANT! BRILLIANT!

So very, very true.....thank you for posting this BP.

Post processing RAW images, using brushes selectively on layers is the proven way to get the very best of what both, you and your camera have jointly produced.......instead of relying on what the in-camera processor produces..... you use your own creative mind to adjust the tones, saturation, contrast, Colour and sharpness until you have a pleasing whole.

Once learned, post processing isn't difficult, or a......Dark Art.......it follows in the greatest traditions of the best of film photographers who were masters of the Dark Room.

If you are new to photography or processing, consider getting, one-to-one tuition on your chosen software, then a whole new world will be opened up to you.

FUJI

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Yea I have always looked at it that way since my film days, or as Ansel Adams said  "the negative is comparable to the composers score and the print to it's performance. or in the digital world the raw is the score and the final output it's performance.

 

Settling for the in camera jpeg processing decided by some Japanese technician seems to me a little like settling for the prints you used to get from Boots with film because you did not have a darkroom, but everyone now has access to software so it's a level playing field. :)

Edited by OlyPaul
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