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Hi to all our members ... We  would just like to draw your attention to the latest post on the following link... Thank you for your attention .If you have already responded to my note  on Chatbox  about this please ignore this sticky note ... Thanks  folks ....

http://www.tipf.co.uk/forums/topic/46369-important~-the-forum-its-future-and-finances/

Clicker and Ryewolf   ADMIN TEAM 

Regretfully we have to once again ask members for  some financial support in order to  keep TIPF  running till December 2023. The more pledges we have to become  FRIEND OF THE FORUM  the less the individual cost will be so  if you want this Forum to continue  please follow the link below  and decide  if you are able to  support us . Thank you all for your support in the past ... it has been appreciated  a great deal ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-important-notice/

 Clicker and Ryewolf  ...  Admin Team 

Hi TIPFers 

I AM HERE AGAIN WITH THE  BEGGING BOWL TO ENSURE THE FORUM CAN KEEP GOING ... Please follow  below if you want to  support the continuation  of this Forum and  this  small but friendly community. 

As always your support is  both vital and appreciated ...

 Clicker and Ryewolf ...

https://www.tipf.co.uk/forums/topic/57184-202223-forum-finances-update-4th-july-2023/

 

Foxglove


Nikonmike

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A fantastic mono study Mike..... it is always a pleasure to discover what tonal values are tucked away within what would normally be a colour shot.

To someone as old as me, mono photography and films were once the norm....then they hit us with full colour during the 1940s I think.

When I took up digital photography on my retirement, a long time ago now, I found it difficult to understand why anyone with a digital camera would want to shoot in mono. But slowly, after studying the likes of Ansel Adams I saw the light; so to speak.

I can’t recall who said it....but..... Photograph a person in colour you see their clothes...take them in mono, and you see their soul....... or words to that effect.

FUJI

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24 minutes ago, FUJI said:

A fantastic mono study Mike..... it is always a pleasure to discover what tonal values are tucked away within what would normally be a colour shot.

To someone as old as me, mono photography and films were once the norm....then they hit us with full colour during the 1940s I think.

When I took up digital photography on my retirement, a long time ago now, I found it difficult to understand why anyone with a digital camera would want to shoot in mono. But slowly, after studying the likes of Ansel Adams I saw the light; so to speak.

I can’t recall who said it....but..... Photograph a person in colour you see their clothes...take them in mono, and you see their soul....... or words to that effect.

FUJI

Thanks FUJI

One reason i dont do more B/W is i cant get the choice of results i got in the darkroom, perhaps need to spend more time on it.

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A very nice mono study Mike.  I think you could crop some from the left (a bit distracting) and the bottom (not adding much).  Like you, I started in the darkroom and was purely black and white.  The emphasis was on always producing a negative that would produce the goods on a normal grade of paper.  I couldn't afford to stock much else and certainly not colour materials.  When I came back to photography and converted to digital, I had the same problem.  Mono was disappointing until I discovered mono conversion tools that allow the manipulation of the tonality of different colours.  PS/LR are good for that but there are other Apps.  It gave me the ability to play until I achieved a result I liked (never was one for reading text books).

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